Sur­round­piece for chil­dren and fam­i­lies based on Jules Verne’s “The jour­ney to the cen­ter of the earth”. Two ver­sions, one for chil­dren of 2–5 years, one for 6 years and older. Com­posed with Mag­nus Bunnskog. Com­posed in 2011 Durata c:a 30 min­utes Swedish text, read by Mag­nus Bunnskog. Com­mis­sioned by Audio­rama. On the tech­ni­cal side: Ambisonic field record­nings. Processed […]

Live elec­tronic audio­vi­sual piece Com­posed in 2011 Durata c:a 9 min­utes On the tech­ni­cal side: Built in open­Frame­works (in C++). Sound syn­the­sis with wavetable syn­the­sis. Visual syn­the­sis with white blocks, shapes and num­bers. Played live, con­trolled via the lap­top key­board. First per­for­mance dur­ing Sound of Stock­holm fes­ti­val, at Kul­turhuset, Stock­holm, Swe­den, 2011-10-18.   Doc­u­men­ta­tion of the first per­for­mance: Sorry […]

A elec­troa­coustic music drama based on the mono­logue by Marga Pet­ters­son. Swedish title: När du hör hovar, leta efter zebror Actress, script: Marga Pet­ters­son Edit­ing: Mag­nus Bunnskog Direc­tor, Sound design and Music: Mar­cus Wrangö First per­for­mance: 2011 sep­tem­ber 26, 19:00 at Audio­rama, Stock­holm. Durata: 57 min­utes 57 sec­onds. Com­mis­sioned by Audio­rama. Eng­lish ver­sion in the […]

++++++++++++++++audio++visual++++++++++++++++++ ++++++++++++++++++++++++ +++++++++++++++++——————– —————- ———————————— Piece for live elec­tron­ics and pro­jec­tion. Com­posed in 2011. Durata: c:a 30 min­utes. First per­for­mance: at Nor­berg Fes­ti­val, 2011-07-30, in 8bit room, dur­ing the Audio­rama Show­case. On the tech­ni­cal side: Built in open­Frame­works (in C++). Sound syn­the­sis with wavetable syn­the­sis. Visual syn­the­sis with white blocks. Played live, con­trolled via the lap­top key­board. Coming […]

kyber­netes — a story about power, anger and revenge. The piece is a half hour long “gesamtkunst­werk” with 5.1 sur­round sound, video pro­jec­tion and act­ing dancers. 2010 My Master’s Degree at the Royal Col­lege of Music in Stock­holm Mod­u­lar piece; could be per­formed in two ver­sions: With 5.1 or 2.0 sound, chore­og­ra­phy and dancers and […]

Piece for live elec­tron­ics and pro­jec­tion. Com­posed in 2010. Using a monome 64 con­troller and a home­built OSC-controller based on the Arduino. Built with Super­Col­lider for sound syn­the­sis, Pro­cess­ing for the pro­jected visu­als and MaxMSP for con­troller log­ics. Every tech­ni­cal com­mu­ni­ca­tion in between con­trollers and software’s is using OSC (Open Sound Con­trol) Durata: c:a 13 minutes. […]

Live elec­tronic sur­round piece for 8 chan­nel speaker array. Com­posed in 2011 Durata c:a 10 min­utes Com­posed for Kul­tur­natt Stock­holm 2011. On the tech­ni­cal side: iPad inter­face built with Touch OSC. Syn­the­sized sounds made in Super­Col­lider. First per­for­mance at Audio­rama, 2011-04-09.   Have a lis­ten, bin­au­ral stereo verion – use headphones:

Music for dance/new cir­cus show “Hello!” by the com­pany Vifira. Stu­diobased music and live elec­tronic music for two musi­cians. Com­posed in 2010–2011 Durata c:a 40 min­utes On the tech­ni­cal side: Player built in MaxMSP. Noc­turn and Wiimote con­trollers for live elec­tronic con­trol. First, sec­ond and third per­for­mance at Hangaren, Subtopia, Alby, Stock­holm, Swe­den, 2011-03-23. Played 9 […]

  Elec­tro Acoustic piece, com­posed for the film A22972. Durata: 8:01 Com­posed after the cut­ting of the film was fin­ished. Com­posed dur­ing 2009. First showed at Vår­sa­lon­gen, at Lil­je­valchs Art Venue, Stock­holm, Swe­den, from 28 jan to 28 march 2010.  

  An elec­tro acoustic music from outer space.   Syn­the­sized elec­tro acoustic music Ulysses and the Sun was com­posed dur­ing the first year of my Mas­ter Degree stud­ies in elec­tro acoustic music com­po­si­tion at the Royal Col­lege of Music in Stock­holm in 2008. The piece where com­posed to be per­fomed at a spe­cial event, dur­ing ”The International […]

  A live elec­tron­ics piece focus­ing on expres­sion and ges­tures. Look and lis­ten: miibebo from Mar­cus Wrango on Vimeo. Expres­sion based microsound music with both pre recorded and impro­vised mate­r­ial miibebo was com­posed as part of my Mas­ter Degree in elec­tro acoustic music com­po­si­tion at the Royal Col­lege of Music in Stock­holm in 2009. The piece […]

Electro-acoustic piece, for 5.0 instal­la­tion (addi­tion­ally 2.0 stereo ver­sion avail­able) Com­posed dur­ing 2008. Durata: 2’58″ Run­ning dur­ing Fylkin­gens 75th year anniver­sary fes­ti­val, in a loop before and after other works. Lis­ten to stere­over­sion, via Sound­cloud: The eyes of the man at the death of Charles Freck by marcuswrango

  2007–2008, Live Elec­tro Acoustic piece, for 5.1 chan­nel sound sys­tem, voice and actor. Pre-recorded, live elec­tronic and text sound mate­r­ial. My Bach­e­lors Degree project at the Royal Col­lege of Music in Stock­holm. Durata 30–35 min­utes. First per­for­mance the 27th of May 2008 at Ljud o Ljud, Royal Col­lege of Music in Stockholm’s minifes­ti­val at Fylkingen, […]

Elec­tro Acoustic piece for Oskar Wrangö’s film dur­ing his Bach­e­lors Degree at Kon­st­fack (2008) Durata c:a 4:00 Mate­r­ial based on processed sim­ple wave­forms. Com­posed after Oskar fin­ished cut­ting the film. The film was con­stantly run­ning dur­ing Konstfack’s Bach­e­lors Exhi­bi­tion for 3 days in may 2008.  

Elec­tro Acoustic piece made for the Jug­gling manip­u­la­tion film The Room, (2007). The third of four films in the series ‘VSNBT MNPLTN SRS’. Com­posed after the film cut­ting was finished.  

A acous­matic piece based on parts from the novel “A Scan­ner Darkly” by Philip K. Dick. Acousmatic/Electro-acoustic piece, for 8 chan­nel ambisonic sound sys­tem. Durata: 10’10″ First per­for­mance the 6th June 2007 at Ljud o Ljud, Royal Col­lege of Music in Stockholm’s minifes­ti­val at Fylkin­gen, Stock­holm. In 2008 a bin­au­ral head­phones mix was real­ized. Sec­ond performance […]

A piece based on very small sounds from two small mag­netic objects Elec­tro Acoustic piece, 2 chan­nels. Durata 9:00 Sound Sys­tem diffusion-performance by me, at Ljud O Ljud, 2006. First per­formed at the mini fes­ti­val “Ljud O Ljud” at Fylkin­gen, Stock­holm, Swe­den in may 2006. Sec­ond per­for­mance at the Moon­shake EAM Fes­ti­val, dur­ing Kul­tur­natta in Umeå, 11’th […]

A text-sound piece based on gen­er­a­tive poems and processed piano sounds Elec­tro Acoustic piece, 2.0 chan­nel and 5.1 ver­sion, Text Sound. Durata 7:19 Also called ‘baso’, ‘bazo’, ‘ba20’. The text is algo­rith­mic gen­er­ated using a pro­gram of mine, gen­er­at­ing words and phrases, that I later on read and recorded. First per­formed (2.0 ver­sion) at a concert […]

Some­thing VS some­thing, or this against that. I’m read­ing con­crete poems, gov­ern­ment reports and other texts – and a small amount of other sounds. Elec­tro acoustic piece, text-sound com­po­si­tion. Durata 7:00 Com­posed for Diffusion-performance in a 10.1 speaker ensem­ble. Per­formed by me in BAC Art hall in Visby. First per­for­mance at the Ljudvågor-festival 2005. Visby, Gotland, […]

Flad­der­mus­dansen Text-sound-composition. 2 chan­nels. Durata 7:47 Writ­ten for a dance-performance, vocals by Edda Mag­nas­son and me. Text by Melody Panosian. Speaker dif­fu­sion in a 3.0 speaker sys­tem. First per­fo­mance at Kul­tur­nat­ten, Botaniska Trädgår­den, Visby, Swe­den, in 2004.

A piece using text from a 600 spam emails. Elec­tro acoustic piece, text-sound com­po­si­tion, 2 or 4 chan­nels. Durata 7:30 First per­for­mance at the Ljudvågor-festival 2004. Visby, Got­land, Sweden.

The Amer­i­can Dream Text-sound-composition. 2 chan­nels. With the voices of a lot of Amer­i­can politi­cians, talk­ing about noth­ing and every­thing — war and fear mostly. Durata 6:50 First per­for­mance at the Ljudvågor-festival, Visby, Swe­den in may 2004.